Upon reflection, I believe that I have created a quite successful�puppet through this project. Though I did not have any prior experience in puppet making, I took advantage of the puppetry workshops that we were provided with in order to learn how to make a sturdy and charming puppet. Undoubtedly, it had its problems. The puppetapos;s eyes were never glued on properly, causing them to pop out awkwardly from her head, instead of staying put. As for my puppetapos;s costume, I received some positive feedback on the quality of the outfit from my peers, and I am quite proud of the result of my hours of diligent measuring, cutting, and stitching. During the performance, Brutuciaapos;s elegant outfit made her stand out, as well as her tasteful accessories, which I also think were liked by the audience. However, I felt that during the performance, the bagginess of my puppetapos;s top was a bit odd, and I wish I could have found�real earrings for her instead of broaches, and that I could have made her a real pantsuit as I had originally envisioned. Also, I feel that the yarn hair does not suit a dignified senator as much as another material would have, and a couple of similar extra touches could have added to her phenomenally. However, in retrospect, I feel that my final version of Brutucia has turned a lot better than I could have ever planned. I had the original goal of creating a puppet that both embodied Brutus and Hillary Clinton, and I think that this was done. Brutucia did have an air of sophistication and sincerity about her, and her details, such as her hair,�made her also resemble Hillary Clinton. Thus, I think that my puppet itself did stay true to its original character and its warped inspiration. It was usable during the performance and represented its character well, and was used strategically throughout the play. With a little more practice and fitness, Brutucia could have become a very outstanding puppet.
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The group puppet show that I worked hard trying to put together was a long, difficult effort, but ultimately, it turned out to be quite a success. With the original goal of creating a rendition of Julius Caesar with respect to its core ideas, while modernizing the play through the creation of a political parody in a way that would interest audiences, we worked towards developing a script that would allow us to do in a practical manner through collaboration. This worked out quite well, for every member of my group was willing to put in her utmost effort into the production effort, creating a magical teamwork effect. When everyone did their best, the entire show was also elevated to another level, and we were able to create a well-thought out rendition of the play after more practice and planning. When we finally performed, we were ready to act and do what we had rehearsed, and even though one of our group members lacked a script and one of her puppets, we worked together to make everything work out in the end. Our peers and our teacher commented that we had made a very interesting and clear script, which we presented with good projection and voice, despite the complexity of it all. There were times when out audience was confused, however, and we could have made our script clearer, perhaps. For the most part, our audience enjoyed our play and its many political jokes, which is what ultimately matters at the end of the day.
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Our performance could have been improved in many ways. First of all, I believe that all of us could have done more work with our voices. While we all attempted to imitate the voices of those that we were playing, we often sounded similar to ourselves, which would have made things even better. Also, if the script could be edited again to make it clearer to audiences who are unfamiliar with Julius Caesar, the play could be more comprehensible to all people. Lastly, there were times when our hand-mouth coordination was off, and if we practiced moving the mouths of out puppet more, perhaps we could have had a more professional final product.
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After experiencing this project, I know that I can do a much better job on the next one. The first thing that I would do differently is start manufacturing a puppet voice the minute I receive a role. Irsquo;ve learnt that developing a voice doesnrsquo;t happen over night, and practice is necessary. Additionally, when building the muppet, I would ensure that I know exactly what I want to do with the eyes before they are glued down, so that they turn out proper. Eyes are an important part of an inanimate objectrsquo;s personality, thus this would be important. Next, I would create a simpler script which is easy to follow for audiences, and therefore, more enjoyable. As for a puppetrsquo;s attire, I would take careful measurements of his or her body so that the garments are not too tight or lose when created, and so that making the clothes is simpler. Instead of making elaborate plans for the attire, I would make a simpler one that could be built upon with time. It is undoubtable that this project has taught me much about puppet shows, but it has taught me even more important things having to do with teamwork, efficiency, and hard work, which I will certainly never forget.
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